In classical landscape painting, there is always at least a tiny human presence, whose role is to put things in perspective and scale. Urban photography can choose to focus on architectural details and become abstract art, or to honour this tradition and put buildings in relation with people using them. In most cases, human silhouettes will seem dominated by the gigantic proportions of contemporary architecture; in this case, the bicycle wheels act as an ironic counterpoint to the building’s eye. Architecture might have solved the quadrature of the circle, but the guy just doesn’t care as he happily rides.